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Here are all the paintings of Jose Clemente Orozco 01
| ID |
Painting |
Oil Pantings, Sorted from A to Z |
Painting Description |
| 42816 |
 |
American civilization-Latin America |
MK169
Detail of the post-Cortes divide
1932 |
| 97060 |
 |
Coming ashore |
oil on canvas mounted on panel
Dimensions 17.8 X 21 cm
cyf |
| 94128 |
 |
Departure of Quetzalcoatl, Dartmouth mural |
|
| 94129 |
 |
Gods of the Modern World |
cjr |
| 94127 |
 |
Hidalgo |
|
| 4256 |
 |
Modern Migration of the Spirit |
1933
Dartmouth College, Hanover |
| 23398 |
 |
Modern Migration of the Spirit (nn03) |
1933
Fresco Dartmouth College Hanover NH |
| 94126 |
 |
Omnisciencia |
1925
cjr |
| 56583 |
 |
the reform and the fall of the empire |
mk247
1948,fresco (detail),museo nacional de historia,castle fo chapultepec,mexico city,mexico |
| 67974 |
 |
zapatistas |
1931
se |
|
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| Jose Clemente Orozco
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| Mexican
1883-1949
Jose Clemente Orozco Gallery
Jose Clemente Orozco (November 23, 1883 ?C September 7, 1949) was a Mexican social realist painter, who specialized in bold murals that established the Mexican Mural Renaissance together with murals by Diego Rivera, David Siqueiros, and others. Orozco was the most complex of the Mexican muralists, fond of the theme of human suffering, but less realistic and more fascinated by machines than Rivera. Mostly influenced by Symbolism, he was also a genre painter and lithographer. Between 1922 and 1948, Orozco painted murals in Mexico City, Orizaba, Claremont, California, New York City, Hanover, New Hampshire, Guadalajara, Jalisco, and Jiquilpan, Michoac??n. His drawings and paintings are exhibited by the Carrillo Gil Museum in Mexico City, and the Orozco Workshop-Museum in Guadalajara.
Jos?? Clemente Orozco was born in Zapotl??n el Grande (now Ciudad Guzm??n), Jalisco to Rosa de Flores Orozco. He married Margarita Valladares, and had three children. In a childhood accident, Orozco lost his left hand while playing with gunpowder.
Jos?? Guadalupe Posada, a satirical illustrator whose engravings about Mexican culture and politics challenged Mexicans to think differently about post-revolutionary Mexico, worked in full view of the public in shop windows located on the way Orozco went to school. In his autobiography, Orozco confesses, "I would stop [on my way to and from school] and spend a few enchanted minutes in watching [Posada]?? This was the push that first set my imagination in motion and impelled me to cover paper with my earliest little figures; this was my awakening to the existence of the art of painting." (Orozco, 1962) He goes to say that watching Posado's engraving decorated gave him his introduction to the use of color. After attending school for Agriculture and Architecture, Orozco studied art at the San Carlos Academy.
With Diego Rivera, he was a leader of the artist movement known as Mexican Muralism. An important distinction he had from Rivera was his critical view of the Mexican Revolution. While Diego was a bold, optimistic figure, touting the glory of the revolution, Orozco was less comfortable with the bloody toll the social movement was taking. Orozco is known as one of the "Big Three" muralists along with Diego Rivera and David Alfaro Siqueiros. All three artists, as well as the painter Rufino Tamayo, experimented with fresco on large walls, and elevated the art of the mural.
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